Coming up in the dubstep game is significantly more difficult nowadays. Just ask Samy Beyou. Exposure for new talent isn’t nearly at the level that it used to be and in order to even squeeze into the outer edge of the genre’s spotlight, it requires an immense amount of effort.
Luckily for Samplifre, it seems like an awful lot has been falling his way as of late. From big name artists rinsing out his originals, to collaborating with some of the most nefarious individuals that bass music has to offer
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Samplifire
Coming up in the dubstep game is significantly more difficult nowadays. Just ask Samy Beyou. Exposure for new talent isn’t nearly at the level that it used to be and in order to even squeeze into the outer edge of the genre’s spotlight, it requires an immense amount of effort.
Luckily for Samplifre, it seems like an awful lot has been falling his way as of late. From big name artists rinsing out his originals, to collaborating with some of the most nefarious individuals that bass music has to offer
I got some vocal samples that were really high quality, a bunch of new drum stuff, made some new racks and shifted the way I process everything togethermore