“No One Even Really Dies” is a digital elegy — a song about the traces we leave behind when everything else disappears. With distorted guitars, swirling tape delay, soul-infused vocals, and gospel choirs that sound like exorcisms, Axel Nascimento turns death into a loop, memory into protest, and presence into glitch. Soul, country, funk, and gospel collide in a soundscape that begins as a hallucination and ends as a communal ritual. A song for anyone who ever tried to say goodbye… and failed gloriously. 🎧 We glitch. We loop. We digitize. No one even really dies.more

“Mirror Tongue” is a hypnotic confessional wrapped in glitchy whispers and cinematic tension. The track blends ethereal synths, distorted harmonies, and raw vocals that flicker like a secret trying to escape. It’s about saying too much and being misunderstood — about speaking in reflections, not in truths. With its slow-burning pulse and surreal emotional layering, Mirror Tongue feels like a dream you can’t translate — or a voice you only hear when you're already broken. For fans of James Blake, FKA Twigs, and Moses Sumney. Best listened to with headphones and shadows. - Mastered by mixea.commore

Tribal / Ukrainian Ethnic Psy / Psy-Tech Folk. D Minor (7A); 190 bpm. A ritual transformation through concrete and sand, like an ancient voice stitched through a magnetic tape of time. The track is hypnotic, disturbing, but not aggressive. There is a flow between static and internal pulsation. It silently "sings" about war, earth, sky, ruptures and something very Ukrainian, but deeply abstract. Echoes from Ukrainian folk.more