Composer and pianist Anthony Cheung (b. 1982, San Francisco) has a body of work that ranges from solo to orchestral works. His music reveals an interest in the ambiguity of sound sources and the subtle transformation and manipulation of timbre allied with harmony. Representations of space and place are common themes, achieved through innovations in spatialization and orchestration, as well as actual source material via field recordings. Musical artifacts, both imaginary and allusive, become sites of fragmentation or excavation.