Art of Noise
Art of Noise (also The Art of Noise) were an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with arranger Anne Dudley, producer Trevor Horn and music journalist Paul Morley. The group had international Top 20 hits with Kiss and the instrumental Peter Gunn, which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time.
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Art of Noise
Art of Noise (also The Art of Noise) were an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with arranger Anne Dudley, producer Trevor Horn and music journalist Paul Morley. The group had international Top 20 hits with Kiss and the instrumental Peter Gunn, which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time.
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Lamentation
Lamentation is an intimate and deeply emotional solo piano piece that moves with quiet intensity and understated grace. Rooted in jazz but shaded with ambient space, the track unfolds as a reflective meditation on sadness, memory, and emotional distance. Every note feels carefully placed, allowing silence and resonance to become part of the composition’s voice. The piano line flows steadily, without rhythmic pressure, creating a spacious atmosphere that feels both warm and fragile. Its sparse arrangement gives the piece room to breathe, while the ethereal and sophisticated character adds a sense of mystery beneath the surface. There is no excess here — only the directness of a single instrument carrying a heavy emotional weight. The result is calm, but never neutral; serene, but filled with longing. Sad, melancholic, and bittersweet, Lamentation captures the feeling of looking inward after loss, or revisiting a memory that still lingers with tenderness. Its introspective mood is both lonely and intimate, shaped by a soft, mournful beauty that feels timeless. With low energy and a negative emotional profile, the track invites quiet listening and emotional reflection, offering a delicate but powerful solo piano statement.more
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Taking down the samples
Over the years I experimented a lot with samples and DAWs. I recently found this one. I think I was inspired by Fatboy Slim and Moby. more
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The haunting
A new tune, part of the EP Breeze & Beats. I was inspired by the Cafe Del Mar songs. I love to chill on a beach somewhere. I used Bandlab, samples, and a lot of distortion on the vocal samples to make it sound like a guitar. No AI was used. more
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