The debut album from this German-Polish duo CEL is a test laboratory for rhythmic cadences and electrostatic discharges. Under the expert guidance of Hamburg producer Tobias Levin, they have created seven self-contained instrumentals enriched by vibraphone, xylophone and African percussion. Zemler’s stripped down mechanics and Kubin’s erratic electronics dovetail superbly. A sense of concentrated restlessness pervades the album – in the greater stream of things