As an artist whose profile has rapidly expanded from Serbia’s techno realm, Ilija Djokovic has earned support from the likes of Adam Beyer, John Digweed, Pan-Pot and lots more since delving into DJing and production in 2010. Releases on Terminal M and Filth on Acid have undoubtedly boosted his credibility and booking schedule in the last number of months, earning him the status as a sure one to watch over the coming years. Djokovic has worked with some of the most notable names on the scene with the likes of Paul Kalkbrenner