L.E.O.
One could say that L.E.O. is a 21st century, alt-pop version of the Traveling Wilburys, filtering the spirit of ELO and like-minded groups through a modern, and more than a little subversive, sensibility. The performers use the same sort of distance-bridging technology as the Postal Service did on its groundbreaking Give Up; in fact, the L.E.O.-ers were lucky enough to have even more programs and bandwidth at their disposal. Many parts of this album were recorded remotely by the individual musicians and bounced back and forth via computer.
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L.E.O.
One could say that L.E.O. is a 21st century, alt-pop version of the Traveling Wilburys, filtering the spirit of ELO and like-minded groups through a modern, and more than a little subversive, sensibility. The performers use the same sort of distance-bridging technology as the Postal Service did on its groundbreaking Give Up; in fact, the L.E.O.-ers were lucky enough to have even more programs and bandwidth at their disposal. Many parts of this album were recorded remotely by the individual musicians and bounced back and forth via computer.
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