Sigha has been exploring the relationship between functionality & high art in the techno genre for some time now. James Shaw emerged out of London's burgeoning post-dubstep scene in 2009, a series of carefully executed releases offering early insight into the producer's long-lasting preoccupation with intricate sound design & rich tonal finish. At the heart of the artist's contemporary work is the notion of process – of humanistic development & ritual catharsis through repetition.