Part of the fun in following Chaz Bundick’s musical trajectory is hearing how he changes up his style from one project to the next. From Causers of This on, each Toro Y Moi release has been a subtle shakeup: 2011’s stellar Underneath the Pine laser-cut the corners of chillwave down to a fine point; 2013’s Anything in Return turned his songwriterly impulses into disco and pop gems; and, most recently, he channeled early experiments with garage
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Part of the fun in following Chaz Bundick’s musical trajectory is hearing how he changes up his style from one project to the next. From Causers of This on, each Toro Y Moi release has been a subtle shakeup: 2011’s stellar Underneath the Pine laser-cut the corners of chillwave down to a fine point; 2013’s Anything in Return turned his songwriterly impulses into disco and pop gems; and, most recently, he channeled early experiments with garage