Brandon Good enters the Americana parking lot through the side door of the punk club. Leaving Manhattan, Illinois in 2008 to move into the city, he found a place as multi-instrumentalist in Chicago heavy-hitters Flatfoot 56. Years of heavy international touring, festing, and studio albums later, punk cred intact, his first solo material The Anvil emerges. Swimming in the same stream as other punk-goes-Americana acts before him, Brandon makes good on the precedent and lets the muddy waters of rock ‘n roll, folk, and country converge and roll him to the Promised Land. These divergent worlds are expressed not only in his person, but in the record of his original compositions.
Brandon Good enters the Americana parking lot through the side door of the punk club. Leaving Manhattan, Illinois in 2008 to move into the city, he found a place as multi-instrumentalist in Chicago heavy-hitters Flatfoot 56. Years of heavy international touring, festing, and studio albums later, punk cred intact, his first solo material The Anvil emerges. Swimming in the same stream as other punk-goes-Americana acts before him, Brandon makes good on the precedent and lets the muddy waters of rock ‘n roll, folk, and country converge and roll him to the Promised Land. These divergent worlds are expressed not only in his person, but in the record of his original compositions.
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