URAMONOSKI

Japan

I make neurofunk as medicine for myself, then test it on myself. I trained as a jazz guitarist while diving just as deeply into P-FUNK. Jazz was almost like school; P-FUNK, dub, reggae, jungle and the emerging drum & bass were what I did after class. From the other side of the planet, I watched jungle emerge in the UK and evolve into drum & bass — and I never really stopped listening. Along the way, I also spent years simply making beats without releasing much. Today, it all coexists in what I make: heavy bass, physical grooves, strange harmony, polyrhythms, and whatever else seems useful. Drum & bass gives me room for all of it. Apparently, some musical infections take decades to show symptoms.