Βασίλης Παπακωνσταντίνου
Βασίλης Παπακωνσταντίνου [Vasilis Papakonstantinou] (b. 1950) is a Greek singer. He was born in a little village in Arkadia, though his family moved to Athens in 1957. He began singing at the age of twenty, and after his military service in 1973 he went to Munich, Germany, to participate and sing at anti-dictator rallies attended by many Greeks. In 1974 he met Μίκης Θεοδωράκης [Mikis Theodorakis] in Paris, and two years later they began to collaborate.
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Βασίλης Παπακωνσταντίνου
Βασίλης Παπακωνσταντίνου [Vasilis Papakonstantinou] (b. 1950) is a Greek singer. He was born in a little village in Arkadia, though his family moved to Athens in 1957. He began singing at the age of twenty, and after his military service in 1973 he went to Munich, Germany, to participate and sing at anti-dictator rallies attended by many Greeks. In 1974 he met Μίκης Θεοδωράκης [Mikis Theodorakis] in Paris, and two years later they began to collaborate.
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Kathreftis (Koita me ) (Mirror)
Kathreftis (Mirror) lyrics and music by Apostolos Akriotis Greek Rock with influence of Regge and rock LYRICS Τώρα κοίτα με.. Κοιτάζω στον καθρέφτη ,δεν ξέρω αν μ' αρέσει αυτό που θα δω σε ένα κόσμο ψεύτη εγω προσπάθησα να μην αλλοιώθω. Φίλοι χαμένοι ,συνήθεια που τείνει να χαθεί καλύτερα να είχα μείνει για πάντοτε παιδί. Κοίτα με ,στον καθρέφτη ένας άλλος γίνομαι Κοίτα με , κι αν γελάσω κι αν δακρύσω Όλα τα λάθη μου απ' την αρχή θα ζήσω Κοιτάζω στον καθρέφτη και βλέπω πάλι εκείνο παιδί που ξέχασε να τρέχει μα όλο τον κόσμο ήθελε να βρει Σκέψεις χαμένες για μια αλλιώτικη ζωή τι θα γινόταν και αν είχα αλλη επιλογή Κοίτα με ,στον καθρέφτη ένας άλλος γίνομαι Κοίτα με , κι αν γελάσω κι αν δακρύσω Όλα τα λάθη μου απ' την αρχή θα ζήσω Τώρα κοίτα με , χίλια κομμάτια στον καθρέφτη γίνομαι κοίτα με , κι αν φωνάξω κι αν ξεσπάσω έναν κόσμο καλύτερο θα φτιάξω more
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Beyond The Horizon
Inspired by the cinematic grandeur of Hans Zimmer and the ethereal rock vibes of Pink Floyd. This instrumental melody begins with a mesmerizing synth, followed by the graceful entrance of piano and choir, creating an atmospheric foundation. Then, around the two-minute mark, the guitar enters, adding a dynamic and emotive layer to the composition.more
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