Lord of the Lost
Chris "The Lord" Harms follows his predestined path to create something beautiful and beguiling, a new musical platform for dark and emotive rock. Introducing: LORD OF THE LOST Chris Harms started out as vocalist and guitarist for industrial rock outfit PHILIAE (1999-2004). Since then his musical career has flourished, from stage guitars for BIG BOY (2007) to guitars, vocals and production for the legendary glam rock explosion THE PLEASURES (since 2004).
47 members
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Lord of the Lost
Chris "The Lord" Harms follows his predestined path to create something beautiful and beguiling, a new musical platform for dark and emotive rock. Introducing: LORD OF THE LOST Chris Harms started out as vocalist and guitarist for industrial rock outfit PHILIAE (1999-2004). Since then his musical career has flourished, from stage guitars for BIG BOY (2007) to guitars, vocals and production for the legendary glam rock explosion THE PLEASURES (since 2004).
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Vocabularycore: Lexical Annihilation
No monosyllabic mediocrity, I speak with lexical velocity! No linguistic simplicity, Behold my verbal supremacy! It began as a joke and somehow came out WAY better than expected. BLEGH! 🤘 A ridiculous collision of Progressive Metalcore, Djent, Electronicore, Death Metal, and Deathcore. Lyrics in case they aren't available yet on Spotify - https://www.musixmatch.com/lyrics/Cry-Of-Mankind/Vocabularycore-Lexical-Annihilationmore
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The Entrepreneur's New Clones
NO AI was used in the song (the cover image is AI though). 90's nostalgia, pure Eurodance feeling in a song that focuses on today's digital addictions. Consumerism, dopamine loops, attention and validation grabs wherever you look - is this what we imagined the future would look like?more
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The Pendulum
NO AI was used in the song (the cover image was AI assisted though). "The Pendulum" is an uptempo art-rock track that tackles the self-inflicted blindness of ideological insularity and the inevitable, merciless correction that follows. A portrait of echo chambers we build ourselves, the enemies we manufacture from potential allies, and the smug certainty that leaves us flatfooted when the pendulum swings back hard. Invoking the witches of Macbeth in a modernized way, The Pendulum maps the arc from curated comfort and blocked dissent, through the cannibalization of imperfect allies in the name of purity, to the reckoning that arrives regardless, indifferent to who was technically right.more
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