Rezz
Isabelle Rezazadeh, aka REZZ, is an EDM producer from Niagara Falls, Canada. She is self-taught and started producing in 2013. Her music has been described as a genre-smashing brand of sinister and dark techno. Despite being self-taught, her edgy and hard-hitting productions have caught the attention of Skrillex's Nest and drawn comparisons to Gesaffelstein and Trent Reznor. She has toured many major festivals and released music on one of the biggest labels in dance music.
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Rezz
Isabelle Rezazadeh, aka REZZ, is an EDM producer from Niagara Falls, Canada. She is self-taught and started producing in 2013. Her music has been described as a genre-smashing brand of sinister and dark techno. Despite being self-taught, her edgy and hard-hitting productions have caught the attention of Skrillex's Nest and drawn comparisons to Gesaffelstein and Trent Reznor. She has toured many major festivals and released music on one of the biggest labels in dance music.
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Please Wait
PLEASE WAIT - Soft "elevator music" soundtracking the pause of the MOULE WORLD ride and being in the liminal space of the old versus new. -- • Listen on MOULE WORLD Music: https://music.moule.world/please-wait • Watch Please Wait's Promo Video: https://redirect.invidious.io/watch?v=BCbbog-RWFc • Cover Art Timelapse: https://redirect.invidious.io/watch?v=5vQGys5nxS0 • "Please Wait" Merch:https:// www.redbubble.com/shop/ap/171520034 • Also available on Spotify and everywhere DistroKid distributes to. -- Please Wait is my 137th release, created on April 25, 2025 and finished on June 16, 2025, during my longest creative rut so far (4 months), the longest I've gone without releasing music. It feels so jarring to me since I used to have a consistent fortnightly release schedule and it's worse when my inner perfectionist, who I'm still battling, wants me to stay consistent. -- It's inspired by the music commonly played in waiting rooms, elevators, those "technical difficulties, please stand by" test screens, and when on hold on the phone. It was also inspired by the concepts of liminality and liminal space, as currently I'm on the threshold of abandoning my perfectionist's old ways in favour of something more freeing, yet uncertain. -- I know one thing for sure: my inner perfectionist's ways of insisting I release well-mastered music averaging 7 minutes in length consistently, spend hours making very detailed cover artworks, and tying *all* my releases to MOULE WORLD lore has held me back for the last few months and I must let it go, but what's next for me is uncertain, hence the cover art of a roller coaster ("the Ride" from my "Enjoy the Ride" motto) paused in a waiting room with a dark tunnel ahead of it. The test screen is again a reference to me not "broadcasting" any new music for months, and the checkered floor symbolises the transition from one state to another. -- Releasing this track is a part of this lengthy process to embrace the new and hopefully more liberating artistic process, whatever that is. Some relevant posts about it: https://mastodon.moule.world/@MOULE/114658867276221700 -- Let me know what you think on the Fediverse (https://mastodon.moule.world/@MOULE) and for more MOULE, visit https://MOULE.WORLD!more
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NiGHT CRAWL3R
Rezz and Offlift had alot of inspiration on this mid tempo track. Let me know what you think! 😁🤘🐍more
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