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Patika
Its a song about childish loves. Childish Love - The song narrates both an individual journey and a universal experience. The themes of purity in childhood and childish loves encourage listeners to connect with their own experiences. Its melancholic tone allows listeners to establish an emotional connection. --- UFCEBABA --- Vocals: Jasmina Uğur & Büşra Azizov Keyboards and Electronics: Jasmina Uğur and Büşra Azizov Guitars: Ufuk Çelik Drumbox Kit etc: Özgür ALP --- Production: Ufuk Çelik --- Lyrics: - Tam beş kez yedinci yaşımı doldurmuştum, O ise dört, - Her şeyim vardı oysa, Berrak ve temiz su birikintim, Dikenli, güzel kokulu çiçeklerim, Anlaşılmayan resimlerim, Ve sevgilerim, - Çocukluğumu tam beş kez yaşamıştım, O ise dört, Çakıllı temiz yollarım, Çamurdan barajlarım, Vardı benim, O'na giden yolumun kenarında ağaçlarım, Ağaçlarımın arasında yine O'na giden gizli patikalarım, Altıncı çocukluğuma girmiştim, O zaten büyümüştü, - Sorularım vardı, Korktuğum canavarlarım, Tesellisini aradığım kâbuslarım, Kapattığın yollarım, Kocaman duvarlarla gizlediğim, Çıkışlarını perçinlediğim patikalarım... Korktuğum canavarlarım, Tesellisini aradığım kâbuslarım, Kapattığın yollarım, Kocaman duvarlarla gizlediğim, Çıkışlarını perçinlediğim patikalarım... - O zaten büyümüştü, ben altıncı çocukluğumdaydım, Yenilgilerim vardı, Sevgilerim, Sevgilerim, Sevgilerim, Kocaman balonlarım, Ve çocuk gözyaşlarım. - Yenilgilerim vardı benim, Sevgilerim, Çocuk sevgilerim, Sevgilerim, Ve çocuk gözyaşlarım vardı benim. - ---- English Translation ---- I had turned seven five times, She was four, - I had everything, My clear and clean puddle, My thorny, fragrant flowers, My incomprehensible pictures, And my loves, - I had lived my childhood five times, She was four, My gravelly clean roads, My mud dams, I had them, My trees along the path leading to her, My secret paths leading to her among my trees, - I had entered my sixth childhood, She had already grown up, I had questions, My monsters that I feared, My nightmares that I sought solace in, The paths you closed, The huge walls I hid, The paths I had sealed off... My monsters that I feared, My nightmares that I sought solace in, The paths you closed, The huge walls I hid, The paths I had sealed off... - She had already grown up, I was in my sixth childhood, I had my defeats, My loves, My loves, My loves, My huge balloons, And my childhood tears. - I had my defeats, My loves, Childhood loves, My loves, And my childhood tears. ---- by Ufuk Çelikmore
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The Moth (A Counterfeit Simurgh )
The MOTH (A Counterfeit Simurgh) is written by Ufuk Çelik as a start of The Moth Poem series in 1999, published in 2003, composed as a series on 2010 and shared on ufcebaba's youtube channel as a podcast in 2024. Mr Ufuk Çelik and I rearranged it as a HipHop song. --- Vocals: Jasmina Uğur Violins and Processors: Ufuk Çelik Keyboards+Loopers +Etc: Jasmina Uğur& Ufuk Çelik Drum Box and Kit: Özgür Alp --- Produced and Rearranged by: Jasmina Uğur and Ufuk Çelik --- The Simurg: A Mysterious Bird of East Asian Mythology The Simurg, a creature found in East Asian mythology, has captivated the imagination of cultures for centuries. This legendary bird holds a significant place, particularly in the Iranian and Central Asian regions. Although known by various names, the Simurg is renowned for its extraordinary powers, wisdom, and exalted status. - The name Simurg is derived from the Persian words "Si" (meaning "thirty") and "Murgh" (meaning "bird"), translating to "Thirty Birds." In mythological tales, this colossal avian symbolizes life, death, and rebirth. Its most famous narrative is found in the work of the Persian poet Farid ud-Din Attar, "The Conference of the Birds." Here, the Simurg is depicted as the king of birds, and the quest of the birds to reach it becomes the central theme. - The Simurg has also been interpreted and given symbolic meanings by many Islamic thinkers. However, the most striking aspect of the Simurg is its portrayal as a mystical being reached through a challenging journey known as the "Seven Valleys." These seven valleys symbolize the human journey of self-discovery and exploration. - The Seven Valleys Valley of Thirst, Valley of Love: Represents an individual's focus on material needs and desires. Valley of Darkness, Valley of Jealousy: Reflects the darker aspects and fears of the subconscious mind. Valley of Multiplicity: Shows the conflict between various thoughts and contradictions in one's mind. Valley of Separation: Symbolizes the process of an individual isolating themselves and feeling alone. Valley of Unity: Represents the overcoming of differences and divisions to comprehend the unity of all beings. Valley of Wonder: Expresses the amazement and admiration felt when trying to understand oneself and the universe's mysteries. Valley of Non-Existence: Symbolizes relinquishing one's ego to attain infinite and boundless existence. This journey is a metaphor for human self-realization, spiritual maturity, and gaining a universal perspective. In conclusion, the Simurg and its seven valleys carry profound symbolic meanings representing human spiritual and psychological development. This journey allows individuals to explore their inner world, undergo transformation, and reach a universal level of consciousness. The Simurg legend remains one of the most mysterious and captivating elements of East Asian mythology, continuing to intrigue people for centuries. - The Meaning of Emotions Love: The most complex and powerful of emotions. Selfishness: Seeing oneself as the center of everything. Denial: Avoiding facing reality. Discouragement: Giving up on overcoming difficulties. Jealousy: The discomfort of not having what others have. Surprise: The feeling of astonishment when faced with unexpected situations. Non-Existence: Referring to the state of something not being or existing. Love is the opposite of selfishness; true love prioritizes the needs of others over one's own. Selfishness, on the other hand, means putting one's own desires first and disregarding others. Denial postpones the solution to problems by avoiding reality. Discouragement signifies failing to cope with difficult circumstances and giving up. Jealousy can lead to feelings of inadequacy. Surprise can cause a loss of control and difficulty in decision-making. Finally, non-existence indicates a lack and emptiness experienced in a person's life. - In conclusion, these concepts play significant roles in human relationships and emotional experiences. Love, selfishness, denial, discouragement, jealousy, surprise, and non-existence represent different emotional experiences. Understanding and managing them is essential for building healthy and happy relationships. --- Moth and Flight to Light: Its Place in Persian Literature - In Persian literature, the themes of moth and flight to light are often used as symbols carrying deep meanings. This motif is frequently associated with love, passion, and the inner conflicts of humans. Here’s the significance and importance of this theme in Persian literature: - Symbolic Meaning Moth: Generally symbolizes the passionate and dangerous nature of love. Moths fly towards the light, often burning themselves; this represents how people can risk themselves and sometimes harm themselves for love. Light: Usually interpreted as love, knowledge, or a divine truth. Light represents a desired goal while also being a source of danger. - Use in Poetry and Literature Hafez: One of Iran's most famous poets, Hafez frequently explores love and passionate relationships. The moth and light metaphor carries deep meanings in many of his poems. Rumi: As a prominent figure in Sufi literature, Rumi also employs similar motifs. He defines love as a spiritual journey, and the moth metaphor symbolizes the dangers and beauties of this journey. - Philosophical and Mystical Dimensions Inner Quest: The theme of moth and light symbolizes individuals' inner quests and efforts to find themselves. Flying towards the light expresses a desire to reach one's essence, while the state of being a moth illustrates the risks and challenges of this journey. Love and the Divine: In Sufi literature, love has a divine dimension. The moth's flight to the light symbolizes a person's love for God and the willingness to take risks for that love. - So.. The theme of moth and flight to light stands out in Persian literature as a motif that deeply addresses the complexities of love, the weaknesses of human nature, and spiritual quests. These symbols offer readers and listeners an opportunity to reflect on the beauties and dangers that love brings. --- For more wait our other works and also our coming theater... --- A special note : - The deterioration towards the end of the vocal is actually something we do to support the metaphor, on the burning of The Moth's wings and herself and also it symbolizes the burning of the Simurgh . When the voice burns, it roughly takes on this form. --- LYRICS: --- I am a moth, but I pretend to be a Simurgh Three times I have witnessed the destruction of the world To the apocalypse To the extinction of time I have testified in courts without judges I have no age - But my wings are weak My fire is dim I am just a fake A counterfeit Simurgh - ___love Do I really want it enough Can I work without getting tired Without getting bored, can I withstand People and And human beings Can I understand My unspoken words Can I see them? - But my heart is cold My passion is fake I am just a pretender A phony Simurgh - ___selfishness Am I still living in the past My burned soul And when my heart revives Can I forget the flame inside Like a nightingale, will I fall into a common thorny rose? Will I fall into selfish children Forget the truth The fire - But I am trapped in my own ego I am a prisoner of my own desires I am a fake Simurgh - ___denial Why do I present my excuses with small eyes? I forget my eyes I reject myself I build impossible dreams I don't accept Can I pass through This valley Before the deadline expires I offer myself a moment From my own eyes I know I see I know everything I know what I know Wasn't it for me to know? - But I am blinded by my own lies I am lost in my own illusions I am a counterfeit Simurgh - ___despair Do I give up Do I stop moving Do I stop breathing Am I just a shell of myself? How can I pass without being myself? How can I love? - But I am too afraid to try I am too scared to fail I am a fake Simurgh - ___jealousy Like a crab, I bring my claws to my face Like a baby, I try to hide I don't know Can I overcome my own weaknesses? Can I reach my own soul? "Damned!" "Do I remember what I said?" Remember Speaking from behind the walls Will it be enough? - But I am trapped in my own fears I am a prisoner of my own doubts I am a counterfeit Simurgh - ___astonishment Everything is complex How did I get here? Am I surprised? Wearing beautiful clothes Lacquer, beige, and brown Hiding and running away Being afraid - But I am just a fake A pretender to the throne I am a counterfeit Simurgh - ___nothingness Losing, that's it Maybe nothingness Maybe nothingness Vacuum The secret of reviving again Maybe emptiness Maybe emptiness - Am I just a shell of myself? A hollow imitation of the real thing? Am I a counterfeit Simurgh? --- by Ufuk Çelik --- with UFCEBABAmore
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Jest
I am the second violinist and keyboardist of the band UFCEBABA. They say I have a nice voice too. This is the first time I am singing lead vocals. Thank you, UFCEBABA! Here I am: Jasmina, I hope you like it. - This song was originally written by Ufuk Çelik as a Progressive Metal piece. However, at my insistence, we decided to rearrange it into a HipHop genre. Ufuk Çelik and I collaborated to create this new version. I love HipHop (Old School is the best) --- UFCEBABA - Lead Vocal: Jasmina Uğur Back Vocal: Büşra Azizov Keyboards Loopers Sss: Jasmina Uğur and Büşra Azizov) Bass Guitar: Josie (he has got a very long name, we usually call him as Yosi ) Guitar: Ufuk Çelik (Master of Us) Drums: Özgür Alp (as always, he is a perfect shy drummer) --- Song by: Ufuk Çelik Produced by: Ufuk Çelik ReArranged by: Jasmina Uğur & Ufuk Çelik --- Lyrics: --- From societies, a jest attempt, In a private manner, an elimination, Upon analysis, In the clinics of the mad doctor, Moths draw the light to themselves. - Light, yes light, Fate, yes fate, No, light and fate, Three times, Unknown words and sentences. - When the symptoms appear, Acting cautiously is necessary, A hidden psychosis, When emotions become Cain and Abel, Directly to madness. - This you see is not a demon, It could even be a man, It could be nonconformity, Under a satanic influence, So the matter is this, it is called suppression, But this you see is not a demon. - An internal reckoning, Separation for this reason, They hit with money, Straight to my face, Because i don't have it. - ain't got any nickel ain't got any nickel ain't got any nickel ain't got any nickel - New myths, "Un tel est la béte noire de X" they say, Groundless noises, Horns pierce through my back, Great outcomes, Regrets, Jest attempts from societies. Jest attempts from societies. Jest attempts from societies. - by Ufuk Çelik -- more
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