239
Tracks
6,490
Plays
265
Followers
Tommy's Keys
TommysKeys
Italia
4.00
CTR
Hi I’m Tommy’s Keys , an italian Songwriter, arranger and beatmaker. I like the italian movie soundtracks from the 60/70 from Piero Piccioni, Morricone, Trovajoli, Umiliani, authors who mixed jazz, soul, funk with the italian melodic tradition. I made Cinematic Lofi Chilpop with the above influence, for listen to it: https://open.spotify.com/intl-it/artist/3Ih45CYemrwOJewH6rBmvF?si=qzIvBBKDSjaBF4QM3q5zMA As a Producer, I made Hip Hop ,R&B, Neo Soul, Lo Fi Chill Pop Beats. I work also on Soundtracks and Jingles. If you want to listen to my productions: https://tommyskeys.beatstars.com/ Thanks for listen!
Follow
Tommy's Keys
@TommysKeys
Italia
239 tracks
·
6,490 plays
·
265 followers
Hi I’m Tommy’s Keys , an italian Songwriter, arranger and beatmaker. I like the italian movie soundtracks from the 60/70 from Piero Piccioni, Morricone, Trovajoli, Umiliani, authors who mixed jazz, soul, funk with the italian melodic tradition. I made Cinematic Lofi Chilpop with the above influence, for listen to it: https://open.spotify.com/intl-it/artist/3Ih45CYemrwOJewH6rBmvF?si=qzIvBBKDSjaBF4QM3q5zMA As a Producer, I made Hip Hop ,R&B, Neo Soul, Lo Fi Chill Pop Beats. I work also on Soundtracks and Jingles. If you want to listen to my productions: https://tommyskeys.beatstars.com/ Thanks for listen!
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April's Waltz
A wonderful ternary rhythm takes us to the eve of spring. Inspired by the piano playing of Bill Evans and Lyle Mays, I wrote an arrangement that in the 3/4 section recalls the melodic changes of the Studio Ghibli films halfway between Joe Hisaishi and Piero Piccioni.more
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April's Waltz
A wonderful ternary rhythm takes us to the eve of spring. Inspired by the piano playing of Bill Evans and Lyle Mays, I wrote an arrangement that in the 3/4 section recalls the melodic changes of the Studio Ghibli films halfway between Joe Hisaishi and Piero Piccioni.more
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Tommy's Keys
A wonderful ternary rhythm takes us to the eve of spring. Inspired by the piano playing of Bill Evans and Lyle Mays, I wrote an arrangement that in the 3/4 section recalls the melodic changes of the Studio Ghibli films halfway between Joe Hisaishi and Piero Piccioni.more
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