Vocals: Amar Antoine & Ufuk Çelik Guitars: Ufuk Çelik Song By: Scott A Gradert Keys & Arrangement by The Sugar Diggy DunX Production by THE SCOTT BROTHERS BAND & UFCEBABA Band Lyrics: Mr. Trouble By Scott A. Gradert (1996) - My name is Trouble Mr. Trouble is my name I gotta problem Trouble is my middle name And no one wants me around here Cuz Double Trouble gets the blame - I am a Gambler And I take all your money away I am a Gambler Roll the dice C’mon let’s play When Mr. Trouble comes to town Until he lose He’s gonna stay - I ain’t got no friends Except my whiskey wine and gin Nobody loves me Ain’t no woman come back again I ain’t askin’ for no favors Just let me live my life in sin - You see just once I was a good man But my woman done me wrong I ‘ze workin hard in a coal mine Good God them days They sure was long And since my woman left me All I do is sing this song - Now gimme my Guitar! - My name is Trouble Mr. Trouble is my name I gotta problem Cuz Trouble is my middle name And no one wants me round here Cuz Double Trouble gets the blame - And this Guitar! - Woooo! ——— © 1996 Scott A. Gradert more

Get Down!!🩵more

I built this track like a suspended moment, something that doesn’t rush to resolve. It sits around 97 BPM, slow enough to breathe, but still pulsing underneath, like a heartbeat you only notice when everything else goes quiet. The structure leans into dream pop textures, very soft attack on the instruments, blurred edges, nothing sharp or aggressive. The spectral balance stays bright but not harsh, which keeps that floating, almost nostalgic haze. I kept the energy controlled, no explosive drop, just a continuous emotional plateau that gently evolves. Vocally, I stayed intimate, almost whispered at times, very close to the listener. The idea was not to perform, but to confess. There’s a deliberate fragility in the tone, something slightly unresolved, like the feeling is still forming while I’m singing it. Melodically, it’s simple on the surface, but designed to loop naturally in your head. The topline doesn’t try to impress, it tries to stay. That’s where the hook lives, in repetition and emotional familiarity rather than complexity. The track runs just under four minutes, which gives it space to install a mood without overstaying. It’s very playlist compatible, especially for late night, introspective, or atmospheric contexts. “Love You Too Sweetheart” isn’t about intensity, it’s about persistence. It’s that soft attachment that doesn’t fade, even when everything suggests it should.more