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Slaps Special 87 ☀️
Another day another Slap! What do you guys think about this one? Would you rap or sing on it? If so, what would the message be? Would you go deep or just have fun with it? Let's talk music! 🔴🟠🟡🟢🔵🟣 If you're interested in the beat send me a direct message on Instagram (@iamsvnny), let's bargain the old fashioned way. 💰more
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Slaps Special 85 ☀️
It's only right I start pulling out the more mature productions since we are getting so close to a thousand followers! Don't get it twisted though, them ignorant trap beats will still be coming for the one's who are looking to go wild on them! 🔴🟠🟡🟢🔵🟣 If you're interested in the beat send me a direct message on Instagram (@iamsvnny), let's bargain the old fashioned way. 💰more
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Left Behind
In her debut EP, “This Current Self-Intervention”, Julesy explores authenticity in healing, and the self-confrontation it requires. The NYC-based singer/songwriter produces her songs with sharp contrast: light and buoyant synths and dreamy melodies oppose the heaviness of the lyrics, in which Julesy attempts to give herself the intervention she believes she needs. The 80s electro-pop, reminiscent of The Japanese House, stands in willful contradiction to the razor-sharp, layered vocals that cut through with ease. But interventions are inherently disruptive, seen in pointed moments of vocal distortion and glitchy bites, a reminder that comfort and balance rarely last. "This Current Self-Intervention" is performed by Julesy, and features Julian Briones on guitar, Cal Mirowitz on synth/keys; mixing engineering by Dakota Mar, and mastering engineering by the remarkable Robin Schmidt (The 1975 , The Japanese House , Rina Sawayama) Bio by Lily Crandallmore
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