Eric Prydz
Eric Prydz is a Swedish DJ and producer best known for his 2004 hit single "Call On Me", his remix of Pink Floyd's "Another Brick In The Wall" (known as "Proper Education") and more recently the anthem "Pjanoo". He also releases music under the aliases of Cirez D, Pryda and Sheridan. Prydz produces electronic music which falls into a variety of sub genres, most notably house (Including electro house and tech house), minimal and techno. Aside from producing music Prydz also runs the record labels Pryda
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Eric Prydz
Eric Prydz is a Swedish DJ and producer best known for his 2004 hit single "Call On Me", his remix of Pink Floyd's "Another Brick In The Wall" (known as "Proper Education") and more recently the anthem "Pjanoo". He also releases music under the aliases of Cirez D, Pryda and Sheridan. Prydz produces electronic music which falls into a variety of sub genres, most notably house (Including electro house and tech house), minimal and techno. Aside from producing music Prydz also runs the record labels Pryda
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Africa
Africa is out!!more
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WEBPUNKS: Soundtracking everyone's part to play in making a better web by using script blockers and spreading awareness about data privacy, encouraging sovereignty over our own data and web experience! It was my #Fedivision2024 entry and ranked shared 13th place out of 72 entries! -- 🔊 Stream on other sites: distrokid.com/hyperfollow/moule/webpunks 👕 Webpunks Merch: www.redbubble.com/shop/ap/161133726 🎥 Webpunks Cover Art Timelapse: yewtu.be/watch?v=UkJUihU6Dqc -- Join the Webellion! Webpunks was inspired by my own experience and others' discussions on the Fediverse about what Cory Doctorow calls the 'enshittification' of the modern web. -- It celebrates the use of what I call 'webpunk' technologies, such as ad-blockers, scripts, and other tools created to bypass article paywalls, subscription pop-ups, and overall create a better experience on the web free from data scraping, trackers, and corporate surveillance. I tried to reference as much of these "annoyances" as I could and jam them into a funky electronic track with a rebellious "punk" edge to it. Though not mentioned in the track, it also celebrates free and open-source software (FOSS) and decentralised platforms such as the Fediverse! -- I hope it resonates with your own experiences on this increasingly enshittified web. Here's to a better web with sovereignty over our own data and web experience! -- As for its creation, it began on April 20, 2024 to submit for the Fedivision music competition for 2024, and was made to be deliberately shorter than 4 minutes as per the competition's rules. I was reluctant to make this track, given some pretty bad life events, but I pushed on anyway and completed it, as I think will really resonate with discussions I've been reading about the decaying state of the Internet. ttsconverter.io was used to make text-to-speech voices in this track, with words, timing and digital voice effects all by me. -- Hadn't I completed this in time for the competition, I would've submitted an edited version of a track I already had. I also had in mind a #RedInstead, autism-activism-themed entry, which I might submit for #Fedivision2025. -- I coined the term "Webpunk" along with "Scriptpunk" as alternative words for "Browserpunk" which describes the same idea Webpunks does in a Mastodon post in 2023, but unfortunately it is now lost. The new oldest toot where I first use it is here: mastodon.moule.world/@MOULE/111312128702045476 -- The cover artwork was also very tricky to make, taking almost 12 hours to do. I've been working on adding shadows around each character to add depth to them. Fortunately, I've designed a lot of what I needed for Webpunks' cover artwork through assets made for Dead Internet, Cyber Threat Resistance League, and numerous other artworks. -- Let me know what you think on the Fediverse at https://MASTODON.MOULE.WORLD/@MOULE (or copy and paste @[email protected] into your own instance's search bar), or visit https://MOULE.WORLD for all MOULE links!more
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