5
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184
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20
Followers
Another Farewell
AnotherFarewell
United States
4.00
CTR
Another Farewell, formed in 2025, by Aiden Kincaid, Josh Ainsworth, Gage Ainsworth, and Marcus Braith
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Another Farewell
@AnotherFarewell
5 tracks
·
184 plays
·
20 followers
Another Farewell, formed in 2025, by Aiden Kincaid, Josh Ainsworth, Gage Ainsworth, and Marcus Braith
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SATELLITES IN ORBIT
“Satellites in Orbit” captures the slow emotional drift of a relationship that hasn’t officially ended — but isn’t really alive either. At its core, it’s about two people who are technically still together, still talking, still “connected”… but emotionally orbiting each other instead of actually meeting. The communication is cautious, guarded, and full of unspoken tension. They’re avoiding the truth because naming it might mean admitting it’s over. The satellite metaphor drives everything: they’re close enough to feel each other’s presence, to remember what they had, to still reach — but their paths don’t align anymore. The distance isn’t physical. It’s emotional. It’s the space that grows when vulnerability disappears. The bridge is the breaking point — a plea for clarity. Either pull me in or let me fall. Stop the endless circling. By the final chorus, there’s still longing, still hope, but it’s fragile. The outro fading with “Still reaching…” suggests unresolved love — not dramatic, not explosive — just quietly unfinished. It’s cinematic, atmospheric, and emotionally suspended. A breakup song without the actual breakup.more
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DEAD TO THE FEELING
“Dead to the Feeling” is a song that tells the story of someone trapped in a toxic, emotionally manipulative relationship where love is weaponized and truth is constantly twisted. The partner hides cruelty behind charm—playing the victim, shifting blame, and tearing the narrator down while calling it love. Over time, the emotional whiplash drains the narrator completely. What once felt intense and passionate becomes numbness. The repeated line “I’m dead to the feeling” isn’t just about shutting down toward the other person—it’s about self-preservation. They’ve emotionally detached to survive. The bridge hits especially hard: it’s not about missing the partner, it’s about missing who they used to be before the manipulation reshaped them. By the end, the song becomes a declaration of emotional severance—no more believing the lies, no more trying to fix something built on control and damage. It’s essentially an anthem of awakening: realizing the “love” was performative, reclaiming identity, and choosing numbness over being destroyed again. Dark, confrontational, but ultimately empowering.more
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Not Again
“Not Again” follows someone breaking free from a manipulative, emotionally damaging relationship. After living under the weight of another person’s lies, expectations, and control — blaming themselves for wounds that weren’t theirs — the narrator reaches a turning point. They stop shrinking, stop carrying the other person’s mistakes, and reclaim their identity. Through confrontation, self-acceptance, and release, the song becomes a declaration of independence: choosing to heal, choosing to breathe again, and choosing who they become on their own terms.more
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